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c. 1445 – May 17, 1510. Italian painter.

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Francesco de mura
Allegory of winter

ID: 27582

Francesco de mura Allegory of winter
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Francesco de mura Allegory of winter


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Francesco de mura

Italian Painter , b. 1696, Napoli, d. 1782, Napoli was an Italian painter of the late-Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism. He was a pupil of Francesco Solimena, then later with Domenico Viola, where he met his contemporary, Mattia Preti. While still in his teens he painted frescoes (1715) in San Nicola alla Carit?? in Naples. He painted ten canvases of the Virtues and an Adoration of the Magi (1728) for the church of Santa Maria Donnaromita. His other works include frescoes of the Adoration of the Magi (1732) in the apsidal dome of the church of the Nunziatella.   Related Paintings of Francesco de mura :. | Old man head portrait | Mademoiselle Caroline Riviere (mk05) | Man Looking through a window | Reifnitzer Bucht | Trouville, les jetees, mer haute |
Related Artists:
Pierre-Antoine Baudouin
French Painter, 1723-1769 French painter. A pupil of Francois Boucher, whose younger daughter he married in 1758, he specialized in miniatures painted in gouache, which he first exhibited at the Salon of 1761. He was received as a member of the Acad?mie Royale in 1763 with a small gouache of a historical subject, Phryne Accused of Impiety before the Areopagite (Paris, Louvre), and he later painted illustrations of biblical episodes. However, he made his name as a painter of libertine scenes in contemporary settings, which he exhibited regularly at the Salon from 1763 until 1769. Some of his work is directly inspired by Boucher's scenes of pastoral love, but the ostensibly moral themes and careful attention to detail of such paintings as the Modest Model (exh. Salon 1769; Washington, DC, N.G.A.) demonstrate that he was also influenced by Jean-Baptiste Greuze. His pictures were condemned for their immorality, both by the Archbishop of Paris, who in 1763 and 1765 ordered that works by Baudouin be withdrawn from the Salon, and also by Denis Diderot and other critics who accused him of pandering to the decadent taste of his patrons. Nevertheless, Baudouin was one of the most popular artists of the last decades of the ancien regime.
Frans Wilhelm Odelmark
painted Canale Grande - Venice in 1849-1937
MASTER of Saint Cecilia
Italian Byzantine Style Painter, active 1300-1320






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